Its not a new concept as the personal versus professional has spawned many ideas but most of the time, they work because of their intensity, which Maska lacks.

Netflixs new show, She, which is created by Imtiaz Ali, gives the impression that a womans body could also work as the chain to control the developments around her.

Irrfan, despite a difficult phase of illness just before the films shooting began, puts forward a stellar performance, absolutely convincing as the loving father.

Guilty boasts of some fine performances by the cast -- Kiara Advani, particularly, deserves mention. But the actors are weighed down by mediocre storytelling and the film is a wasted attempt.

Tiger Shroff, who is the star attraction of the Baaghi films, is in reliably good form as the third installment hangs by a thread off its leading mans strong shoulders.

Taapsee Pannu and Anubhav Sinhas Thappad is a rousing soul search, raising the question again and again, till it forces an answer.

Thanks to Vicky Kaushal and the screenplay, Bhoot serves the basic demands but it never rises beyond the obvious.

The gay characters are self-respecting men dead against the idea of marrying a woman out of convenience. Parental denial is also addressed head-on, and frowned upon using clap-trap dialogues.

If one were to rewind a bit, we have had Dostana, which introduced the idea of two brawny men as a pretend gay couple and the hilarity it would induce.

Imtiaz AlisLove Aaj Kals reprised version of the same theme of love across different generations starring Kartik Aaryan, Sara Ali Khan, Randeep Hooda and Aarushi Sharmais disappointing.

To All the Boys I Have Loved Before was a guilty pleasure youd turn to every time you wanted to take a break from the regular sci-fi films and mafia thrillers. But To All The Boys 2 PS: I Still L

Makers of Birds of Prey are trying to free the protagonist Harley Quinn once and for all from her ex-boyfriend, the Joker, and plant her firmly within a girl gang. Read our full review of the lat

The world of Malang is dark and twisted, and Mohit Suri depicts the beach state as a Wasseypur-like badlands with rampant drug use.

Malang starts with Disha Patani emerging out of the sea a la Ursula Andress and goes on to track the party scene in the city.

Shikara resembles a painting, a work of art with Rangarajan Ramabadrans delicate cinematography accompanied by excellent production and costume design.

There are moments that bristle with discomfort. Particularly a scene in which the wealthy couple discuss how the poor smell.

In Jawaani Jaaneman, Saif Ali Khan is in good form once again, but saddled with the kind of material he knows inside out.